Screen Entertainment When art imitates American politics The start of ‘Sicario: Rise of the Soldado’ plays out like some kind of fever dream for Donald Trump, writes Darren Bevan. Jul 16 2018 Darren Bevan
Screen Entertainment Ant-Man second to female heroine Ant-Man and The Wasp is both a credit and an albatross to the Marvel Cinematic Universe, writes Darren Bevan. Jul 10 2018 Darren Bevan
Screen Entertainment Jurassic Park more horror than wonder For films whose MO is to evoke wonder - that magic is sorely missing this time around, writes Darren Bevan. Jun 26 2018 Darren Bevan
Screen Entertainment ‘Tag’ surprisingly good Tag brings the prats to the pratfalls, and thanks to a brisk pace, surprisingly it never outstays its welcome, writes Darren Bevan. Jun 19 2018 Darren Bevan
Screen Entertainment Hereditary doesn’t disappoint Believe the hype, Hereditary will leave you feeling uncomfortable and unnerved, writes Darren Bevan. Jun 15 2018 Darren Bevan
Screen Entertainment ‘A him gets noticed, a her gets ignored’ Ocean’s 8 - just another piece of feminist sisterhood cinema, writes Darren Bevan. Jun 14 2018 Darren Bevan
Screen Entertainment Upgrade: B-grade movie gold The fact that Upgrade is so woefully unoriginal in its narrative is almost inexorably and perversely beside the point, writes Darren Bevan. Jun 07 2018 Darren Bevan
Screen Entertainment New Star Wars doomed from the start Solo: A Star Wars Story may have been doomed from the start, writes Darren Bevan. May 29 2018 Darren Bevan
Screen Entertainment Deadpool 2 - a feminist fail Deadpool 2 may be another hit, but it fails when it comes to gender diversity, writes Darren Bevan. May 21 2018 Darren Bevan
Screen Entertainment Wes Anderson’s latest quirk fest Wes Anderson’s latest quirk fest, the stop animation Isle of Dogs, certainly has it all, writes Darren Bevan. May 17 2018 Darren Bevan
Screen Entertainment Tully: A real shame Diablo Cody’s Tully is a mixed bag of a film, that flounders badly in its final strait, writes Darren Bevan. May 15 2018 Darren Bevan
Screen Entertainment The Breaker Upperers just wants to be loved The Breaker Upperers doesn’t want to be rejected yet never quite offers a compelling enough reason to make it past the honeymoon, writes Darren Bevan. May 04 2018 Darren Bevan
Screen Entertainment Avengers: Infinity Bore Epic in scale, Avengers: Infinity War may feel like Marvel’s trying to clear the table in lieu of the next phase. May 02 2018 Darren Bevan
Screen Entertainment Extremely quiet and incredibly tense Despite a few quibbles of logic, A Quiet Place manages to grip and terrify in the right measure, writes Darren Bevan. Apr 18 2018 Darren Bevan
Screen Entertainment Sweet Country is no Samson and Delilah Sweet Country is an ugly film in some ways, with racism, violence and language giving this Western a brutal truth which is at times hard to stomach, writes Darren Bevan. Apr 17 2018 Darren Bevan
Screen Entertainment Early man: A passable family fare Although entertaining, Early Man never quite manages a romping victory that you’d expect or hope for, writes Darren Bevan. Apr 12 2018 Darren Bevan
Screen Entertainment Ready Player One full of empty calories Highly-anticipated Ready Player One is a film that’s as superficial and hollow as one of the season’s chocolate treats, but looks as shiny and welcoming, writes Darren Bevan. Apr 11 2018 Darren Bevan
Screen Entertainment Love, Simon’s winning formula The pantheon of rom-coms and coming-of-age films is fairly full, but Love, Simon takes the cake, writes Darren Bevan. Apr 05 2018 Darren Bevan
Screen Entertainment Billy Elliott steals the show The play-like Film Stars Don’t Die in Liverpool benefits from a career-best performance by Billy Elliott’s Jamie Bell, writes Darren Bevan. Apr 01 2018 Darren Bevan
Screen Entertainment Tomb Raider ‘franchise’ fails Tomb Raider has only two things going for it, writes Darren Bevan. Mar 20 2018 Darren Bevan
